Gravity – Review [film]

Gravity

The only film I can claim to have seen four times in the cinema. Without a doubt, the greatest cinema experience of my life, restoring my faith in Hollywood and movies in general. A technical, directorial, cinematographic masterpiece, this is what 3D movies were made for. No, this is what movies were made for. It would be almost impossible to explain in a few paragraphs just how good this film is, and it probably is impossible to explain how I feel about it. But at least I can attempt the former. There is so much I could say but don’t want to give a running commentary, so I will try to limit myself to a few key points. Here goes:

The beauty of earth, the fragility of human life, the wonder of our technology, the determination of the human soul. Loneliness, emptiness, despair, depression, the incomprehensible vastness of the universe. Even the title of this film is a metaphor.

This is the first movie in over a decade I could allow myself to enjoy movie schmaltz and come away feeling uplifted. And the stunning score, which is just as much a part of the story as anything else, is undoubtedly a factor in this.

A friend of mine described his experience watching this as “spiritual”. Another had tears in his eyes at the end. I can completely relate to both those experiences. This is a completely immersive movie and if you are one of those people who allowed themselves to be immersed you won’t need me to explain this feeling.

Contrary to what some few have said, in my opinion the story of this film is not thin. The story is linear but it isn’t simple. So much of this story isn’t communicated by dialogue, but that’s the difference between a movie and a book; a lot of this story is told in true cinematic style: by the camera; how the shot is framed, the length of shot, the use of lighting and colour. And of course the unspoken or understated performances of the actors and actresses, the sound effects, the music, the objects in the foreground/background. I’m not talking about personal interpretation here, I’m talking about what you can experience with your senses.

We jump into another person’s life for 85 minutes (not real-time) and then jump out again. And there is so much that Cuarón wanted to say that to put it all together in such a short space of time, so well-paced, yet so enthralling and exciting and without smacking you over the head with it, is why the story is given the credit it is. Your brain is noticing all these things even if you aren’t consciously. It is why the rebirth in the airlock and the evolution on the shores of earth were on paper before the camera ever stated rolling. It’s why the story wasn’t even going to be set in space originally. It’s because Cuarón wanted to tell a particular story in a particular way, and the cinematic spectacle that it became was necessary to accomplish this. Everything visually and audibly stunning about Gravity serves the story, not the other way around.

My three favourite shots in this film could be said to encapsulate the story itself, or the three primary emotions I experienced, or maybe even three acts of this drama:

  1. The pan from Kowalski up to the earth in all its wondrous glory as we hear the first inklings of Ryan Stone’s theme. I remember seeing this for the first time in the cinema and being filled with awe at how huge the earth is, how beautiful it is, and just terrifying it would be to be an astronaut and actually see the earth above, or beneath you, with nothing but endless blackness all around. I can’t think of anything more simultaneously stunning and scary.
  2. External shot, slow pan from the Soyuz from the setting sun to the aurora borealis. Cold, lonely, silent, hopeless. Game over. There is no chance of rescue, no point in believing anymore. No point in going on.
  3. The Shenzou entering earth’s atmosphere as Tiangong’s debris burns up with it. Pure exhilaration. A firework display of colour and fire as our planet’s atmosphere, the thing which gives us life and shelters us from so many wild objects that fly through space, mercilessly incinerates everything – except one tiny thing: that small escape pod which humans, in their ingenuity, built to keep their kind alive. The solitary voice which has thus far sung Ryan Stone’s sad melody to us, now erupts in a full throng of human voices, as if from earth below, calling Ryan home. This isn’t fear anymore – this is sheer joy – this is laughing in the face of death, of adversity. This, along with the charge of the Rohirrim on the Pelannor fields, are my two favourite movie shots of all time.

So, what is this film about? Doing what each of us has to do every day of our lives: stand up on two feet in the full gravity of the only place in the totality of existence we are conditioned to survive, and keep going every day; live.

Gravity is, without doubt, the most beautiful film I have ever seen.

Final score for Gravity is: 10/10.

Why ‘Prometheus’ gets it all wrong, and why it matters

There were a lot of things wrong with Prometheus (daft dialogue, ridiculous character behaviour, odd-pacing, odd-editing and incongruous music), but I’m only going to focus on the greatest error the film made: its ridiculous distain for scientific fact. I’m going to explain just how badly the writers got it wrong and why it matters. I almost laughed before I realised how tragic the tale is.

If you’re telling a fantasy story you can pretty much get away with anything. With science fiction, depending on how “hard” or “soft” you want it: you can get away with a lot less or a bit less respectively. Prometheus fails as science fiction because there is nothing more scientific about its premise than the Never Ending Story’s. But even if you want to say that Prometheus is a bit of fantasy fun set in space, it still fails because it contradicts some of the most important and established knowledge we have, just as any fantasy story that depicted the earth as being the fourth planet from the sun would instantly lose all credibility and connection with the audience. Similarly, even a fantasy about humans must depict them as creatures with two arms, two legs, and not, for example, 100 tentacles.  We know that the earth is not the fourth planet from the sun, so whatever planet “earth” we are told is the fourth from its sun, it’s not ours, and it’s not our earth, and it’s not us, just like we might connect with a 100-limbed fantasy species and even empathise with them, but if you call them “human” you’re just being silly. But imagine that a large politically-powerful group of people had a vested interest in perpetuating a myth that our earth is in fact the fourth planet from the sun. All the evidence notwithstanding, Mars is the third planet and Earth is the fourth. What seems like a scientific faux pas and bit of fantasy fun takes on a darker and worrying shade. Well that is the problem with Prometheus.

The basic plot of Prometheus is: an alien race dropped their DNA in the oceans of earth long ago and so created humans. This is about as scientific as saying that you can take a drop of blood from a dog, inject it into a giraffe, and expect the giraffe to give birth to dogs or giraffe-dog hybrids. The very definition of “species” in fact is a community that can only breed successfully with itself.

During the film, it’s discovered that these aliens called “Engineers” have a 100% DNA match with humans. This is either rubbish or meaningless, take your pick. If the writers were trying to say that the Engineers are genetically similar to humans, the match is trivial: every living thing that lives or has ever lived on this planet shares the same DNA. A lot of DNA is arguably junk anyway, but “there is more than 95% to 98% similarity between related genes in humans and apes in general. (Just as in the mouse, quite a few genes probably are not common to humans and apes, and these may influence uniquely human or ape traits.) Similarities between mouse and human genes range from about 70% to 90%, with an average of 85% similarity but a lot of variation from gene to gene…” [source] So if they have the same DNA code as us, so what? That only proves that they evolved on earth. But if the insinuation is that they are a 100% DNA match with humans, despite being aliens, that is nonsense because…they aren’t human! That would be like a forensic detective placing you at a murder scene 5000 miles away and 5000 years in the past, because your DNA was a 100% match to a criminal in the past, which is impossible, or matching you because you both happen to be human beings…

But, even if aliens could drop something in earth’s primordial oceans that could somehow mingle with DNA…even that doesn’t make sense because evolution simply doesn’t work that way. A few Star Trek episodes tried to do something similar with evolution and failed for the same reasons. In those stories, the premise was that evolution could be sped up and the results observed in hours or days instead of millions of years. This is such a spectacular misunderstanding of evolution that it makes me depressed just thinking about it. But before I explain that, let’s start at the beginning:

All living things on this planet are the product of common descent. We all share the same DNA and metabolise energy in the same way because those fundamental parts of life happened once, billions of years ago, and not again. All life is descended from very simple self-replicating molecules. On this planet, DNA eventually got this job and the code used is the same today as it was 3 billion years ago. (If life exists on another planet, it too almost certainly started with very simple self-replicating molecules, but it’s overwhelmingly improbable that it would evolve the same DNA code as Earth’s, if it even used DNA at all.) Today, there are thousands of computer programming languages because each was designed by a human computer programmer for a specific need. But in nature, there is only one programming language and it had to be modified and utilised only by trial-by-fire selection in the wild over a very long time. (Incidentally, the ubiquity of this one (and only one) natural language is another argument against intelligent design.)

The “Engineers” could not have any DNA similarity with us unless they came from earth, which they clearly did not do. But we didn’t see the Engineers dropping DNA into the earth 3.5 billion years ago (unless the opening scene of the film was supposed to be earth at that time…in which case I suggest History of the Earth 101 for the writers to give them an idea of what this planet was like so early in its life. Let’s just say Hell would’ve been more hospitable.)  But suppose the engineers got DNA started in the first place (which isn’t implied in the film) all those aeons ago. Is that any better? Nope. Which brings us to:

Humans look the way we do because on this planet we are a member of the primate family. We share a common ancestor with all apes alive today, and our nearest relatives are chimpanzees. The modern human being as we know it today is only about 150,000 years old. But, we didn’t have to evolve this way. On earth, countless unpurposed events directed life in different directions. To name just two: the great oxygen catastrophe and the Cretaceous–Paleogene event (which wiped out the dinosaurs) – two events which forever shifted the course of evolution on Earth, and which were unplanned and devastating in their own right. The oxygen catastrophe didn’t have to happen, but it did. A meteor didn’t have to hit the earth and wipe out the dinosaurs, but it did. On this planet in the past, creatures that we would call primates today found it advantageous to walk upright thus freeing their hands for manipulating the world. On this world, that gave them an advantage over their competitors in the wild. Those creatures which would become us developed higher intelligence as tool-using thinkers. But as Chuck from sfdesbris.com says: “it’s not enough to be smarter, smarter has to give you a distinct advantage.” It’s not a foregone conclusion that evolution will lead to intelligent life, although given time and the right conditions one might expect it to. One might also expect that intelligent life on other worlds would be analogous to humans as tool-using thinkers, using their appendages to manipulate the world and freeing up their bodies to evolve larger brains. But that is not to say at all that such life would also evolve from creatures that would look anything like primates – they could just as easily look like walking octopuses. Again, on earth – we look the way we do, not because some alien dropped some DNA in a pool 3 billion years ago (and most certainly no sooner), but because we evolved from similar looking creatures who evolved from similar looking creatures, all of whom can call themselves descendants of apes, who in turn can call themselves descendants of whatever small mammals remained (or evolved) after the mass destruction of the dinosaurs left niches in nature for new creatures to fill.

To say that aliens created humans is absolutely stupid because we already know how life developed on this planet and everything we know and have ever learned in biology, genetics and geology confirms it – just like we know the Earth is the third planet from the sun. And this makes the entire premise of the film pointless, (much like the Answers in Genesis website). It’s like a great mystery novel akin to the space equivalent of Angels and Demons, but the final startling revelation being: the earth is flat and the sun orbits it.

No matter how wild your story premise is, there must be a part of the audience that thinks “this could happen, this is how things might’ve have been, even if they weren’t.” For example, imagine a story where aliens brainwash Hitler to invade Poland. Silly, yes, but at least it can’t be disproved. (Of course, something isn’t proven true just because it can’t be disproved.) But with Prometheus, it simply can’t be true, because we didn’t pop into existence with unique DNA 150,000 years ago – we evolved from other species very slowly and share our DNA with all other life on earth. The story is not reflective or metaphorical, it’s dumb.

The only way to have Prometheus’s story make any sense as regards its DNA claim is to say that aliens created DNA itself and put it on earth 3 billion years ago, but even that doesn’t explain why the aliens are almost identical to humans: you cannot predict which path evolution will take because evolution, by very definition, is simply the change of gene frequencies in generations responding to the pressure of natural selection. Natural selection can be caused by sexuality and/or environment, but it’s location specific. The millions of varieties of life you see on earth today are only possible because it takes evolution that long to produce any noticeable change at all, especially speciation (although evolution on every meaningful level is an observed documented fact.) To illustrate this by contrast: if a species were already perfectly suited to its environment and its surroundings never changed, that species would never change (and evolve), not in ten million years.

But why does it matter? It matters because Prometheus is a major international release that completely abuses a wondrous field of science. It’s rubbish at best and slander at worst. It matters because there are people in positions of power who deny evolution because it contradicts their ignorant beliefs about the universe, and they want to push those beliefs on you and your children, by law, in the classroom. It matters because evolution is as established and beautiful a scientific fact as anything the human race has ever discovered, and it’s a travesty that it’s so badly misunderstood in the 21st century, so much so that most people who see Prometheus won’t even notice anything wrong with its “science”.

And the moral of Prometheus the film? Our protagonist Elizabeth Shaw regains her faith in god (of course, the personal choice of god of the writer, which is the Christian version). At one point she is teased about her faith with the claim “I guess creating life is easy…anyone can do it…you just need some DNA.” But that’s the kind of nonsense strawman of evolution that no evolutionist ever claimed! Life didn’t happen on earth because of some DNA in an ocean…DNA is only a coding language. It is genes that allow characteristics to pass from generation to generation, and NATURAL (or sexual) SELECTION is the only method by why nature can pass on some genes and withhold others. So no, you need more than just a bit of DNA…and that fact is totally ignored (deliberately?) by the writer(s) of Prometheus. Is there any other scientific field that could be so grossly disfigured and butchered by a film writer in this day and age and still get approved? I don’t think so. What do you think?

The irony here is sadly amusing: if the moral of the story was to have the protagonist reclaim her faith in god and challenge the notion that life on earth evolved naturally…it speaks volumes that such a notion was only possible in a fantasy land where the real world can be ignored and the movie script can make the impossible possible, just like the bible has the sun stand still in the sky. Most people don’t take those stories seriously, with good reason. But some do unfortunately, and they even try to re-write scientific fact to suit their beliefs. Some even use their big chance writing a Hollywood screenplay to push their creationist agenda on a worldwide audience. The sad thing? Many people don’t know any better.

***

Further reading:

The Greatest Show on Earth by Richard Dawkins. Not arguments, no debate. Read this if you doubt the facts.

Evolution at Wikipedia (if I were ever to endorse compulsory education this would be the second thing on my list.)

Other good critical reviews:

http://www.skepticalraptor.com/skepticalraptorblog.php/ridley-scotts-prometheus-anti-science/